RAISE A FLAG - 'BETTER LATE THAN NEVER'



'BETTER LATE THAN NEVER' is the 6th album from Tokyo's oi! outlet RAISE A FLAG, which will be released later this month, on 20th November via BOOTSTOMP RECORDS. Get ready for it! 

But before we jump to the release details, here's a quick background introduced by their front man:

RAISE A FLAG is a Japanese oi! band from Tokyo established in 1993.

They formed out of the influence and respect for the UK oi!, but also for the old, good Japanese oi! scene. They combined all those influences and have been active since in their own, unique style. 

Even though the band has undergone numerous changes in their lineup, they continue to play to this day with the band's original member, Nobuhiro Ietomi (Vo) at the centre, without changing the style and without compromising their original, unique Japanese oi! sound.

The current line-up:

Nobuhiro Ietomi (Vo)

Hiroyuki Takaya (Gu)

Masao Sekiguchi (Ba)

TAVITO (Dr)



The release consists of 11 brand new songs, all of which have been newly written for this album.

The track list:

1. Rotten Country 2. That's For Life 3. Fearless Warriors 4. Rockin' In The Street 5. No War 6. Welcome To The Peaceful World 7. Keep Your Head Up 8. Go For A Pint 9. Kick Down The Walls 10. Stick To My Guns 11. Spirit of '93.

To sum up what the songs are about, the boys said: "Even if you're worried, you should keep going, even if it's slow. It's definitely better to keep going. We wanted to release this album to reach out to all those, who struggle with this issue."


Release date: 20th November 2024.

Label: BOOTSTOMP RECORDS [BTSP-064]

Format: CD

Country: JAPAN

Contact: https://sites.google.com/view/raiseaflag/



Band introduction - FIGHT TO WIN



I first learned about FIGHT TO WIN just recently from their singer, who I met at a gig in Japan. I knew him via his other band (ANOTHER STEP), and I was curious about FTW and how they sound, so I decided to check them out and I hope you will too.

We’re talking about the self-titled EP, released on 28th October 2022. It’s proper ballsy, rough beatdown hardcore and damn, it’s intense! Especially the way the guys have crafted the down parts, it almost literally floors you delving down into sludgy breaks to the point when you think it can’t possibly go ANY lower.., and they still managed to keep it vicious and savage, fuckin awesome! 
What I also like about this EP a lot, is that the production is more on the raw side, and it goes perfectly with the straight-up, classic NYHC inspired tunes... maybe less MADBALL and a little more REJUVENATE.

I wanted to find out more about the band and introduce them, so I contacted Bob, who serves in FTW on guitar and he agreed to answer my questions, so here it is.


Hi Bob, could you give us some basic info about the band - who are the members? When and how did you get together as a band? Are the members involved in any other bands/projects?

Bob: The members are Irino Takayuki - vocals, Yuta on bass, TKO on drums and Bob - guitar. It all started when I (guitarist Bob) left my previous band Persevernace (https://perseverancehxc.bandcamp.com/album/sentaku-e-p) and formed a new band to make better heavy music.
When we first formed, we had different drummer and bassist, but brothers who I knew well joined the band and here we are today.

And yes, we’re all in other bands:

Bob (Gu):
- Lardass (Vocals)
- H81 (Bass)

Yuta (Ba):
- H81(Guitar)
- Undone (Bass)

TKO (Dr):
- Lardass (Drums)
- H81(Drums)

Irino (Vo):
- Another Step (Vocals)





Where are you from, what part of Japan and how would you describe the scene there? Do you play a lot of shows in your area, countrywise or did you play abroad?

Bob: Tokyo…. Machida or western Tokyo to be more specific. It may not be very active as a scene, but hopefully it will be better someday. We usually play a few shows a year, mainly in the Tokyo area but we'll play anywhere if our friends invite us. There were plans to do a show in New York, but these were put off due to the COVID pandemic. I'd be happy to have another opportunity in the future tho.


How many releases have you put out so far? Are there any physical releases too?

Bob: Just one digital EP so far. Physical? C’mon it's 2024, I don’t even own a CD player since 2008 and Rock n roll records ain't selling for more than 2 decades!


Fair enough! 
What are your main inspirations to write and play that kind of heavy, beatdown hardcore? What are your main influences amongst this genre and beyond that? Was any artist or band a particular inspiration for you / the band?

Bob: The style of New York hardcore and New York death metal that I've been familiar with for a long time come naturally to my songwriting. I also like sludge and doom bands like CROWBAR, EYEHATEGOD, SUNN O))) and so on, which is the inspiration for the low & slow parts of our tunes. 


How would you, in your own words, describe the band? What are your music and lyrics about? Is there any message behind it or is it more just for fun?

Bob: “Loud and proud music by a group of booze lovin middle aged men” sounds about right to me.



The majority of the lyrics were written by Irino (vo), with lyrics focusing on the negative themes like animal cruelty, poverty, conspiracy and political frustration, but recently there has been a shift towards more positive sides such as liberation and struggle.

BTW, “Strike First Strike Hard” on the ep was written by myself. The lyrics are about strong hatred toward GOREVENT's guitarist, Sachio aka Gokucho. I've been having beef with this puta for years.


What are the future plans for the band?

Bob: We have some new songs and some existing songs that are not on the EP, so we are planning to record them, put them together and release new material next year.


That’s great to know, I’ll be definitely following the band and waiting patiently for the new release!

I asked Bob at the end if he has any anecdotes about the band to add, funny, scary or challenging stories, just anything he could think of. Here’s what he came back with..

Bob: I think Irino has the most interesting story among the members... Surprisingly, FIGHT TO WIN was the first band for him to write and sing lyrics that made sense, rather than going full engrish-gibberish. Also, he is a diehard fan of EARTH CRISIS, and one time, he made his first trip to the US to see EARTH CRISIS despite he cannot speak a word of English and was stopped by security at immigration, and kept calling out “ASS KURAISISU!!  ASS KURAISISU!! I like my AAASSS KURAISISU!!” to the officers in the interrogation room.
Dunno whatever happened to his butthole at the time, but he appears to be living a happy life now.





STANDOUT "Way of Life" EP




 

This band and their new release must be highlighted!

I'm talking about a new release by STANDOUT, 'Way of Life' EP, something I was waiting for since I heard the 2 new songs from this EP on a streaming platform.
The songs are fast and snappy, but also hard and ferocious at the same time. The band pays a fair tribute to the old school sound, something I personally always appreciate a lot. 

If this has caught your interest, here's some basic info about the band, brought to you by Kei (vo.):

"We formed in Tokyo, circa 2012 and released our first demo in 2013. We played a lot of shows and had some member changes, then released the 'New Breed' EP in 2019."

Members are:

Kei - Vocals
Takeshi - Guitar
Shuhei - Bass
Akio - Drums

The frontman also dropped more info about this release:

"It was released on July 17th 2024 via Dirtyrats Records. The cover art was hand drawn by Motty  (Dirtyrats Records / Dominate), and layout of the lyric booklet was designed by Sawsk (Dirtyrats Records / Fairly Social Press).
It only took us one day to record the whole thing. We also recorded most of the songs in one take"



           

 



Out of curiosity I asked Kei about the lyrics: 

"I don't usually explain the meaning of lyrics because I know that everyone interprets them differently. Also, the meaning of the lyrics can change depending on your mood or situation, even for me. But here are some things that inspired me to write the lyrics:

A1: Quarantine / Delay is not denial
A2: Yin and Yang / Balance
A3: A shitty day
B1: An enemy / Someone who thinks he's a rockstar
B2: Skinheads / Tokyo hardcore family"


On top of that, Kei shared an interesting fact about making this record:

"Some songs from the EP were actually supposed to be released as a split 7" with Murphy's Law, but we couldn't make it happen for whatever reason. So we decided to add some extra songs and release it as our own EP." 


Vinyl is limited to 200 copies and there are three cover art variants - white, blue and green.

For orders:

E-mail: standoutbsd@gmail.com

Or via IG: @standoutbsd



STRAIGH EDGE X JAPAN

 

"I'm a person just like you, but I've got better things to do, than sit around and fuck my head, hang out with the living dead, snort white shit up my nose, pass out at the shows, I don't even think about speed, that's something I just don't need, I've got straight edge."


Those words of Ian McKaye, from 1981 became an anthem of an international movement and inspired so many people all over the world.
Fast forward to four decades later, the straight edge community is still keeping strong and is an integral part of the hardcore scene.
Everyone, who claims themselve SxE is very likely to tell you, that is saved their life. There are as many possible reasons and stories as the people who live by this statement.
As we all, more or less, know the history of the movement itself, I'd like to focus on the experiences of people who I have met and talked to.
Straight edge has always inspired me and I'm full of appreciation for folks keeping sober, especially in the hardcore/punk scene, where the drugs and drinking were always commonly acceptable or even encouraged. Just to keep it clear, I've never consider myself straight edge, never even tried to. However, after a lot of perturbations I quit doing all hard drugs many years ago, and stopped drinking alcohol a few years back too. For me it was a natural next step, which appeared to just make sense at the time. And I can say, from my perspective, how hard sometimes it is to keep sober (at least at first), when you are surrounded by drunk/drugged people.

So now, lets move to Japan where, as always, the article will take place.
I spent two weeks in this beautiful country in September 2023, and during my stay there I attended a few live shows in and around the Tokyo area (including a whole day hc festival), and spent a lot of time with people involved in the hc/punk scene there.
I was very curious for a long time, considering my absolute admiration and love for Japanese hardcore bands, how it is at the shows there, and how the whole community gels together and generally what the overall vibes are. What caught my attention instantly was how strong the SxE community seems to be in Japan. I knew I wouldn't be able to judge fully after such a short period of time, but from what I saw, the positive vibes at the gigs and the general friendliness that thrive to an insane level, I really wanted to find out how the straight edge people in Japan feel about it. That's why I reached out to a few guys and gals, trying to learn and understand it a little bit more.
I LOVE listening to people's stories and real life experiences, and I think anyone who decides to go edge has something interesting to share, even if they may not appear, at first to be very different or even compelling. Yet creating and joining a counter-culture within a subculture, is for me one of the most personal forms of self-definition.

I'm always particularly interested in the main reasons and inspirations, and why people decide to become straight edge. And it never ceases to amaze me how some find it so easy, to turn their whole life around and make this sometimes a drastic life change!
Shin (from SxE band RECLUSE) told me: "I started being sober four years ago, then identify myself as SxE right after that. Why did I become SxE? I was just tired to see people acting like they are screwed up and do screwed up things, and I thought, as I'm already fucked up, so I don't wanna be anymore haha".
Seems so effortless, but sometimes you just need to jump on it with that kind of positive attitude I guess. Also, recognising the right momentum can make a huge difference with our ability to adapt to the new lifestyle.
What I also found super interesting, is that a lot of people get inspiration not only from their favourite bands, but also from seeing their SxE mates, and the way they manage to stick to it and still being able to enjoy themselves when going out.
Here's a word from Ed, who is originally from the States and currently lives in Osaka:
"I heard about being straight edge when I was ~15 years old and it sounded cool, plus the singers I liked were edge so I thought pretty highly of the community. While I never 'officially' (lol) went edge, I did refrain from drinking until I was around 20 or so. Flashforward six or so years later and after certain life events, plus understanding more and more about the edge movement, I thought it's only natural to make it a part of my life for good.
A big portion of my inspiration was just seeing first-hand how people of all ages could still enjoy their lives without relying on vices to help enhance things. Also, not needing said vices to help deal with life's many problems. A common pipeline I see for people joining the movement (and also similar to my own) was seeing how people conducted themselves in public and then eventually asking them questions about being edge, etc. It's a little weird typing that out but the more I think about it, the more I understand just how much my choices were influenced by what I was seeing first-hand rather than solely what I was reading on a lyric sheet, etc."
And yet again, I think Ed pointed out perfectly how self reflection and real life examples are so much more powerful and influential than just 'virtual' stories.

In particular I really wanted to hear a voice from the female perspective, as we all know how male dominated hc/punk scene was and still is. I felt so happy when I was preparing myself to write this, and I got a message back from Yuka (currently plays guitar in MINI MYTH; ex.CRUNK vocalist), who kindly shared her view and the story behind her inspiration. Here's what she said:


" The reason I became straight edge was related to my experiences at live house when I was 16 to 20 years old.
I like intense sounds, but I think I'm serious on the inside, and I'm shy.
I was interested and listened to metal, hardcore, punk, etc. from an early age.
I started going to live shows at the age of 16, but the music scene I saw had a huge gap between ma and myself, so it wasn't the place I felt comfortable.
Tobacco, alcohol, drugs and sex are indispensable.
Bad people, strong people, and violent people are praised.
Since I was one of the few women in the scene, I experienced many negative feelings that only a woman can have.
There were a lot of places like that, and there was a time when I started hating metal, hardcore, and punk, and I didn't go to live shows that much anymore. (The scenes I was watching at the time were biased. I may have assumed that part of the scene was the whole story.) However, when I learned about the idea of straight edge and the existence of such people and bands, I started to like hardcore and punk again.
I thought I was straight edge at heart and I got an X tattoo on my finger when I was 21 years old." 

I think this is so powerful. Finding the strength from SxE and kind of 'reincarnating' the love for the scene, which felt like it overpowered and betrayed you earlier. I can totally feel it!

And this brings another question, is SxE community in Japan in general a safe and supportive space then? I witnessed a kind of symbiotic coexistence there, but again, how does it feel from the inside perspective? 
I want to quote Ed here again, who is in a good place to be able to compare it first hand with the US scene, living in Japan now for a few good years:
"It's super tiny, but there are a few of us! The drinking culture inside Japan is quite different from that back home in the States and while I don't want to generalise too much, I think given how common booze is in the workplace/among friends it would be harder for someone to make the change.
Despite how much people here like to drink together and party during/after shows here, they don't exclude those who don't want to drink which is really nice. It's easy (and almost understandable) for them to not want to hang around sober people while they're feeling good, so the inclusion goes a long ways. I never see any peer pressure or anything stupid like that.
I'm not really sure if the amount of edge people will ever grow too much to be honest; I'm not sure weather or not that's due to societal expectations of drinking, or merely just making a very large life change, but either way that's OK with me. I've seen a few people recently reduce the amount they drink to get things under control a bit more and honestly, that's just as great as people deciding to become edge. I'm all for people having tons of fun and staying in control while they party without going over the top."

I found Yuka's words in support of this also:
"For me, a band member who often hangs out at live houses, straight edge is a movement that feels like a safe space. 
I think that in Japan, there is not a community, but individuals who are practicing straight edge ideas.
Maybe I just don't know.."
I think it's not even about what we know or see, it's about how it feels for people who are involved, and it's always a personal perspective. And it's always right, as our feelings matter. Everyone should be comfortable in their own space, regardless of their drinking habits. 
I'm glad that Shin also sees it this way:
"Not big enough to evolve a community, but I believe each individual stays strong to keep these commitments.
I can say it's a very supportive scene.
Basically, non SxE guys and SxE guys can coexist so we can support each other, how beautiful it is?"
It is truly a beautiful thing!

Yuka's personal experience perfectly relays that and I feel is quite insightful to Japan's scene:
"From around the age of 20, I started paying attention not only to the sound, but also to the message and inner aspects of the bands.
A straightforward message. Performances by people who are beautiful on the inside.
It touches me deeply. 

In the first place, I realised that rather than 'I like hardcore, punk, and metal', I was 'looking for a safe space in music'. 
I think there are many people who find purpose in life through music, both now and in the past.
I think everyone goes out into society and goes through a lot of hardships.
I want live house to be a place where people can liberate themselves from society's prejudices, discrimination, and the hardships of life. This is my personal opinion. I would like to see more events and locations like this."
Damn right, I can only agree!

From a slightly different angle, Ed also has a story to add:
"It's not a particularly interesting anecdote, but I remember X'ing up for my friends' new straight-edge band here called RECLUSE for the first time in many, many years. I was still relatively new to Japan but it was really awesome that there were ~5 of us together in a room all the same time with X's on our hands. It's easy to feel lost and lonely in a new country, but I just remember thinking to myself 'this truly feels like a lil' brotherhood.' It wasn't particularly eventful or anything, but it's the small details I'll think back on years down the line when hopefully we're able to hold an edge day show in Osaka/Japan and the community has grown larger and larger!"
How cool is that? I think that feelings of unity are so important, and it can manifest through the little moments and gestures like that. Especially when you're a newbie in a country far away from home.. I've been there too (hello, England lol), I know exactly how it feels. We need some solid foundation in order to grow, and that kind of friendship, the little family we choose, is everything.
And I so hope when I next visit, Osaka/Japan Edge Day will be a real thing!

I have to say, all these statements just put into words the initial feelings I had, after what I witnessed in Japan. It reminds me a bit of London in particular (can't really say much about the rest of Europe in recent years), which is very inclusive in terms of SxE/non-SxE people, everyone just enjoying the gigs together and nobody giving a fuck much about what's in your glass, or if you are drunk, stoned or sober. It resonates with me and that's why it instantly caught my attention there, in Japan. That feeling of inclusion and lack of separation. 
I think in that respect, Japan's scene owes a lot to the classic 90's and 00's hc bands, like Loyal To The Grave for example, which were promoting SxE ethos since the very beginning of their existence. And as the scene wasn't particularly big then, everyone was more in acceptance of each other.
I think passing it on to the next generation. I saw a few young, emerging bands in Japan, who have mixed, SxE and non-SxE members, and they can pull it off with a real energy and vigour, without any unnecessary division. In my opinion the only way it should be!

Just to sum it up is a little message from Shin:
"Shout out to everybody who supports scenes and our bands. Lots of love ❤"

I'm joining in to sign this statement! Love and support to all the bands and SxE folks in Japan (and all over the world).


*All the photos provided by YUKA (ありがとうございます!🙏)


Links:














NUMBERNINE 'New Phenomenon' EP




A new EP from Osaka's NUMBERNINE  - 'New Phenomenon', has been released as of the 10th of June. The album is available on all main streaming platforms, and well, it's phenomenal in so many ways! Big respect to the band for such effortless ability to mix hardcore with melody and alternative sounds and put together such a fantastic album. Everything from the first sound is refreshingly innovative, the songs are super catchy, written so cleverly and yet keeping the hardcore spirit.
It's an album from the top shelf, in terms of song writing, execution and experimenting with different sounds, especially considering that the material for this album has been recorded over two years ago. 

'New Phenomenon' - recorded at LM Studio, Osaka in March and April 2022.
Recorded , mixed and mastered by Akira Inada (!!!)
Members at the time of recording:
Vocal: Kai
Drums: Hidetatsu
Guitar: Takahiro
Bass: Masayuki, Takahiro
Current members are Kai (the only remaining founding member), Hidetatsu and Takahiro.

I asked the guys about their main inspirations and influences, and here's what Kai (vo.) said about the lyrics:
"I like to write in an abstract way and use metaphors as an art. Besides, after I went through the Corona crisis, my lyrics became more introspective."
What Takahiro (gu.) finds inspirational for song writing is: "New York Hardcore bands that expanded and evolved with their music."

Takahiro also says that there are no plans for a physical release at the moment, but it doesn't mean that the band wont consider it at all. I guess we will find out soon, as I don't believe any record label wouldn't want to pick it up.

So if you're feeling the sounds of the melodic end of things, SNAPCASE, SHELTER etc, fused with some classic NY growl check these out!

Here are official videos from the new EP, have a listen, have a watch and I hope you get the vibes.






BAYONETS 'GOOD OLD DAYS' ALBUM IS OUT!

 



BAYONETS 1st full length album, 'GOOD OLD DAYS' was released on 24-04-2024 (via Bootstomp Records) and I couldn't not to mention it!

I can't wait to listen to it, they're not on any streaming platform or Bandcamp at the moment (proper old school!), but if you're into solid, hard and fun oi! music, you'll dig this band. You can find them on YouTube instead, I've copied link at the very bottom of the post..

Here's a band profile, introduced by Masa (BAYONETS vo.):

"BAYONETS is made up of the members of YOKOHAMA CITY SKINHEADS. All members of YCS met in 1996 in a juvenile detention centre and started playing music after their release.

The members of BAYONETS have been in various bands and formed in Yokohama in 2012.


Influenced by Skinhead Reggae, NYHC, Ska, hardcore punk and Oi punk, they swallow it all and spit out their own interpretation of thuggish hardcore punk.

Their live performances are intense and hilarious and will definitely make you want to pump your fists in the air. Vigorously active.

Their first album 'GOOD OLD DAYS' is an album that reminds them of the past and their determination to keep singing old songs."


The bands are:
Vocal: Masa Oi!Oi! @masaoioi
Guitar: Oi!KB @okb_1980
Bass: ShuheOi! @skinheads86
Drums: KOi!Ji @kyochang156

Check out their Instagram profiles and info about upcoming gigs, if you are in Japan and have an opportunity to see them and grab the new CD!

Here's the band's YouTube channel link:

https://www.youtube.com/@bayonetsyokohama5680

https://www.bootstomp.co.uk/



ANGER FLARES gig in London (15th Dec 23) with interview from Yatching (new drummer)



ANGER FLARES are street punk oi! band from Tokyo, active since late 90's. They stopped playing for a while around 2007, but reformed in 2013 after relocating to Tokyo from Kobe and have since been actively touring and playing gigs.

They are one of the most hard working bands there, regularly putting out great records and playing all over the world whenever they can., bringing out what's best about Japanese oi, authenticity, pride and catchy tunes.

They are familiar to the UK's audience, they have played in the UK a few times before, including Rebellion Festival in 2015, 2017 and 2019, but it was the first time for Anger Flares to play at London's legendary '100Club' as a part of their UK Tour 2023.

Supporting Cockney Rejects on their final tour, which ended with two shows in London on 15th and 16th of December, both dates were sold out way in advance!

I wanted to see Anger Flares badly, I've been following them for a while and never managed to catch them in the UK before. I was also a bit disappointed when I went to Japan and they didn't play any gigs around the time I was there. So it turned out to be a perfect occasion and I luckily managed to get a ticket for the Friday night.



Their set included 13 songs:
United and Strong (which I sadly missed, thanks to the long queue outside the venue..)
Let's Get Drunk
We Got the Power
On the Street Again
Stay Punk
Get Back Future
Never Give In
Fighting For Survival
Go For It
Rebels With a Cause
Keep the Faith
Here Comes Anger Flares

This time along with their undeniable energy and fun, they also brought, for this mini tour, a new drummer.
I wanted to use the opportunity to introduce him with this follow up interview.



(Japanese language version below!)


Hi Yatching-san, it was nice to meet you at the show and watch you guys playing live!
How did it happen that you joined the band just before the UK tour? Did you know each other for long before?

Y: Thanks for contacting me! Since September I have been drumming (with them) at several gigs as a support, and we have come to understand each other. I think that's the major reason.

Besides, I feel like this band also uplifted my motivation.
Their former drummer was a good friend of mine and he used to invite me to ANGER FLARES gigs, which is how I got to know the members.
We haven't known each other for long, but I quickly became friends with SHINJIN (gu) and TAXX (ba) right away because we are the same age.


Could you tell me a bit more about your previous bands you've been involved in? What's your musical background?

Y: I've never been able to stick with one band for long, so I've been hopping from one band to another.
There are many reasons for this...
When I started playing drums at 17 years old, I discovered punk. Then, I explored various genres - punk, melo-core, ska-core, and then came back to punk.
But I've always had punk at the core of my music, and I've never wavered from that.


Was it your first time in England? How did you find the whole experience, what did you like the most?

Y: This is my second time in England.
I think the last time I was here was only for about 3 days. It was during a European tour with a band I played with a long time ago. We performed in Germany, Belgium and England at the time. We only did one gig in England, though.

What struck me in England was the age range of the audience at the show! Of course, I know the Cockney Rejects are a band that has been around for a long time, but I guess the audience consist of old-timers too!
There are old punks in Japan, but they can't compare to those in the UK!

Touring abroad means playing in a completely different environment. I think it's a great way to develop our playing skills by performing in the same way we always do, even in such environment. 
I believe it has allowed me to play more closely with the band members, despite having joined the band only recently.


Is ANGER FLARES to be a permanent thing now? And if not, what plans do you have?

Y: As I mentioned earlier, I've never been able to sustain a band for long, so I'm determined to make sure that doesn't happen with ANGER FLARES! Unless something special happens, we'll keep going!
I want to create and release as many new works as possible and tour not only in the UK, but also in various other countries!




UKツアーの直前に参加されましたが、バンドのメンバーとは以前から知り合いだったのでしょうか?


Y: 連絡ありがとう!

9月からサポートとして何本かのライブで叩いて来て、メンバーと気持ちが分かり合えたってのが大きいかな

自分のやる気も上げてくれるバンドだな、と思えたしね

前のドラマーが仲良くて、彼がANGER FLARESのライブに良く誘ってくれて、そこでメンバーとは知り合ったんだよね

みんな付き合いは浅いんだけど、Gu.SHINJIN、Ba.TAXXとは歳が一緒ですぐに仲良くなれたんだよね.



前のバンドについて聞かせてください。音楽のバックグラウンドはどのようなものだったのでしょうか。


Y: オレは、一つのバンドを長くやる事が出来なくて、何個もバンドを渡り歩いて来たんだよね

コレは色んな理由があったんだけど…

ドラムを始めた17歳の時にパンクロックを知って、パンク〜メロコア〜スカコア〜パンクと色んなジャンルをやってパンクに戻って来たんだ

でもずっと根底にはパンクがあって、そこはブレてないよ.



イギリスは初めてですか?イギリスでの経験はどうでしたか?一番よかったと思うことを教えてください


Y: イギリスに来たのは2回目なんだ

前回は3日ぐらいしか滞在してなかったと思う

それはずいぶん前のバンドのヨーロッパツアーの時でドイツとベルギーとイギリスでやったんだ

イギリスでは1本しかやってないんだけど

イギリスで印象的だったのは、ライブに来てたお客さんの年齢層が高いことかな

コックニーリジェクツが昔からいるバンドなのはもちろん知ってるけど、お客さんも昔からの人達なんだろうね!

日本でもオールドパンクスは居るけど、イギリスには勝てないよ.

海外でツアーをするっていうのは、環境の全く違うところでプレイするって事だよね

そういう環境でいつもと同じ様にプレイするのって、かなり演奏力が鍛えられる事だと思ってるんだ、オレは

バンドに参加してまだ日が浅いオレには、メンバーとより密なプレイができる様になったと思うよ!



アンガーフレアーズでの活動はこれからも続けて行きますか。それとも、他の計画がありますか。

Y: さっきも言ったけど、オレはバンドを長く継続させる事が出来ない人間だったから、それはANGER FLARESではそうならない様に努力するつもりだよ

特別な事がない限りずっとやるつもり!

新しい作品をできる限りたくさん作ってリリースして、イギリスだけでなく色んな国にツアーしに行きたいと思ってるよ!



(big THANK YOU to Mariko for helping with translation)


Me with ANGER FLARES after the gig


NERDS RECORD STORE





If we think about important places in the hardcore scene in Tokyo, NERDS RECORD STORE in Shibuya is definitely at the top of that list. I believe most people in hardcore community worldwide have already heard about this place somehow.


Established in 2014 via RETRIBUTION NETWORK / ICE GRILL$. The owners are Hiro, who also serves on guitar in legendary Japanese HC band - LOYAL TO THE GRAVE, THE TEN COMMANDMENTS (also State Craft and countless other music projects), who has been distributing hardcore music via Retribution, and Mizuki who runs ICE GRILL$, dealing with the pop punk side of things.The shop's main focus is vinyl, but it also has tons of CDs in stock and a good amount of band T-shirts, fan zines etc. But mostly records - all hardcore, punk and also a fair amount of metal and grindcore - everything I personally call a ‘cool spectrum’, otherwise it’s called ‘underground music’. You choose.

The main focus is the new hardcore, basically the best stuff from all over the world. Although there are Japanese releases, worldwide hardcore is what the Japanese people want (they are probably not as obsessed with themselves as we are with them).

You can also find lots of old school classics, but more from the classic 80’s American hardcore era.




I visited the shop for the first time in September 2023. In fact, it was the very first place I went to in Tokyo, as it’s been on my ‘wish list’ forever. During my short stay I got back there to check the new arrivals, but mostly to hang around for a little chat. Guys also had a big stall in the Bloodaxe Festival on 23rd September, and obviously Hiro also played the show with Loyal to the Grave.


Hiro with LOYAL TO THE GRAVE

Running the shop as well as playing in one of the pioneering bands in Japanese hardcore and being involved and supporting lots of tours and shows, Hiro is the man who knows best what’s happening in Japan in their hardcore scene. He is also a super nice guy. 



We agreed that I will put it all into words on my return to London and will send a few follow up questions. 



So here it is:



Hi Hiro, I hope you are good. It was such a pleasure to finally meet you and visit NERDS in person! Do you have lots of foreign people visiting on a daily basis, who purposely come just to see the shop and say hello?


H: Yeah thanks for stopping by the store and some shows as well. It was an honour to meet you last year. Yeah, after covid we have so many visitors from foreign countries daily. 80% of people are from outside of Japan lol. It's a wonder to me but the store has its 10 year anniversary this year so I’m so happy that people know our store and come to stop by.


I know you’ve been releasing music and running distros long before you’ve opened a physical store, could you give us a bit of the history of what led you to open NERDS?


H: Yeah I had my old distro called BLOODAXE COMMUNICATIONS in 1999. We just printed catalogues and sent them to customers and we got orders through phone and fax. We started a web store in ‘06 as RETRIBUTION NETWORK DISTRO. And we released some releases on the label. 

I opened my store in 2014 with Mizuki from ICE GRILL$ who is putting pop punk releases in Japan and organising tours as well.

This was a big challenge in my life. Because I used to work at a company as an office worker. 

But now almost 10 years have passed and I'm having a great time with my job. Now I have RETRIBUTE RECORDS and TOUR also still HARDCORE DISTRO for mail order as well. 25 YEARS STRONG!



I have a feeling that the majority of people in Japan prefer CDs over vinyl. From your perspective, what is the reason for that, purely financial or is there more to it?


H: Yeah I can't believe people will buy CDs in this country. If I sell 100 items of a new album from some bands, 90 copies would be CDs, 8  Vinyl and 2 cassettes. I don't know the reason much because no one buys CDs in the UK or USA right? (only a few collectors still buy cds..) but Vinyl prices are going high in Japan because retail prices over there and also postage, USD/EURO rate in Japan  etc.. This means there is worth to my label and what we are doing now through RETRIBUTE RECORDS. 



Apart from running NERDS full time, what are other projects you are currently involved in?


H: Yeah we have stacked releases in 2024 on my label. The 1st release is DOMAIN. 

We are working with great labels that are very active and popular in the hardcore scene world wide, like Triple-B, DAZE, FLATSPOT, CLOSED CASKET etc... We will announce new releases next week from your England. Also just announced a MOURNING/TEMPLE GUARD Japan tour. We released their full length on my label in 2022/2023 so stoked for this UKHC takeover tour in May. Also I am ready for the new release of my band LOYAL TO THE GRAVE  in a few months. I will be involved in this release as well so we have many plans. And I have a few tours as well. Watch out!



In Japanese hardcore, what would you say are the bands to pay attention to at the moment? Is there an obvious direction things are heading right now?


H: Yeah, the Japan hardcore scene is growing up well! Lots of new bands are playing in the scene and they are organising shows by themselves and releasing material actively. Also older bands are still opening up the scene so we are one in the hardcore scene. VIEW FROM THE SOYUZ, DECASION, TIVE, ALSEID, TRUE FIGHT, UNHOLY11, played on our NERDS FEST and RETRIBUTE TOUR  end of last year. They are doing great as young gunz. Also mighty KRUELTY, GATES OF HOPELESS, NUMB, SAIGAN TERROR, SUPERSTRUCTURE, DOMINATE, BYBO, NERVOUS LIGHT OF SUNDAY... many more haha.



Thank you so much for your time and especially for the hospitality I’ve got in Japan from you and all the HC community. I hope to be back next year and I’ll be definitely hitting NERDS to fill up my luggage with cool records.



You can find NERDS here:

Japan, 〒150-0042 Tokyo, Shibuya City, Udagawacho, 11−11, Ryukou Building, 4F





Me visiting the shop in Sep'23
VISITORS